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This was posted on the Cairo Carnival website (or their tribe, dont' recall which)
"Attention Dancers
For the privacy of each dancer and to prevent unauthorized Internet Video posting
INFORM YOUR FRIENDS AND FAMILIES
ABSOLUTELY NO VIDEOS
ALLOWED DURING THE SCHEDULED DANCING ON ANY STAGE
INCLUDING CELL PHONES
and behaviors deemed to appear like video taping.
Violators may be escorted from the Cairo Caravan for ignoring this policy."
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Now, I DO see their point about 'protecting the performers' from having their images 'stolen'......but it is REALLY their "JOB" to do that?
Really, I think this is just a way to be sure you buy their Videographer's DVD.
As I recall from years past, Rekkassah has had the same nazi policy - which THEY HAD before their ever WAS a youtube !
I mean, this 'rule' makes it clear that if your Aunt Jane comes to see you dance, and maybe you haven't communicated with her about this rule, and she happens to end up shooting you with her iphone......SHE might be REMOVED from the event while you're performing!
And has anyone ever REALLY had issues with their performance being 'stolen' and placed on youtube ?
Your thoughts on this, pls.
"Attention Dancers
For the privacy of each dancer and to prevent unauthorized Internet Video posting
INFORM YOUR FRIENDS AND FAMILIES
ABSOLUTELY NO VIDEOS
ALLOWED DURING THE SCHEDULED DANCING ON ANY STAGE
INCLUDING CELL PHONES
and behaviors deemed to appear like video taping.
Violators may be escorted from the Cairo Caravan for ignoring this policy."
**************
Now, I DO see their point about 'protecting the performers' from having their images 'stolen'......but it is REALLY their "JOB" to do that?
Really, I think this is just a way to be sure you buy their Videographer's DVD.
As I recall from years past, Rekkassah has had the same nazi policy - which THEY HAD before their ever WAS a youtube !
I mean, this 'rule' makes it clear that if your Aunt Jane comes to see you dance, and maybe you haven't communicated with her about this rule, and she happens to end up shooting you with her iphone......SHE might be REMOVED from the event while you're performing!
And has anyone ever REALLY had issues with their performance being 'stolen' and placed on youtube ?
Your thoughts on this, pls.
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Re: Is this extremeism
Tue, April 28, 2009 - 5:49 PMJust about every theatrical event I have attended does not allow photography or video recording by unauthorized people. Most theaters also have signs to this effect. I don't see how this is any different. Besides being liable for unauthorized images of performers, some of whom have a no photo policy in their contracts, producers can be held liable for unauthorized use of music that may end up in those videos. I also don't see a problem with offering exclusivity to skilled photographers and videographers who are making their living off the HARD WORK they put into recording these events well. It doesn't sound like they are banning pictures/taping of off stage events. I think this policy sounds reasonable.
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No, it is not extremism. It is normal and respectful.
Tue, April 28, 2009 - 6:18 PMIf Aunt Jane went to see you perform with the New York City Ballet she'd probably not dream of whipping our her iphone or little video during the performance, and she sure as heck better not try and post it on You Tube.
I am sure you can think of the reasons if you move it into another context.
First: Amateur videographers are no more qualified to do a good job videographing a great dance than amateur dancers are qualified to perform it. When the amateurs then upload their off-the-cuff efforts to the Internet it is often to the detriment of the dancers' reputations. Crotch shots, tunnel vision, unsynchronized music -and- video, focus on the wrong thing, inappropriate special effects, lousy lighting, cutting back and forth and not allowing the narrative to unfold .... Aunt Jane has, without so much as a by-your-leave, added herself to the performance. She might as well just have gotten on stage in her underwear and a Sesame mask. The performance that was seen in the flesh by hundreds will now be seen in the worst possible light by thousands. THanks, Auntie!
Second: There's nothing wrong with deciding to make money from your event's DVD. Some workshop sponsors have told me that the DVD sales are what pulls them out of the red. How does this make them Nazis?
Third: Some choreographers would prefer that their choreographies not become public domain before they have a chance to earn a little fame and money from them. Ditto the costumers.
My thoughts. You are welcome.
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Re: Is this extremeism
Tue, April 28, 2009 - 7:01 PM"Now, I DO see their point about 'protecting the performers' from having their images 'stolen'......but it is REALLY their "JOB" to do that?"
Yes.
"I mean, this 'rule' makes it clear that if your Aunt Jane comes to see you dance, and maybe you haven't communicated with her about this rule, and she happens to end up shooting you with her iphone......SHE might be REMOVED from the event while you're performing!"
Well, Aunt Jane is an idiot if she think it's OK to tape your performance in a venue she hasn't done the contracting for herself, or been told it's OK to tape in. If it's a real theater/dance/music performance, she should assume that there are rules about whether or not she can take video. The exception is open-air performances in a public place (like a park).
"And has anyone ever REALLY had issues with their performance being 'stolen' and placed on youtube ? "
Video was taken and placed on youtube without my permission, yes. Because I was in a restaurant that I didn't control the contracting for, I really can't complain, even though I'd rather the footage were removed. -
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Re: Is this extremeism
Tue, April 28, 2009 - 9:48 PMI am not allowed to shoot my own video....
* at any of the dozens of rock concerts I have or will attend.
* at any of the performances of Ballet Arizona I've attended
* at any of the comedy shows I've attended (from The Tempe Improv to Robin Williams at the Dodge Theatre)
* at any of the touring Broadway shows I have attended (i.e. The King and I, The Lion King, Miss Saigon, etc.).
Why would I think that I could video at a big belly dance show? It just makes sense to me that it's not allowed.
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Re: Is this extremeism
Tue, April 28, 2009 - 10:02 PMI'm sorry Desiree, I must disagree with your assertion that this policy is somehow wrong.
Please...leave the videotaping and photography to the professionals. Most are artists just like you, trying to make a living (or a least be able to maintain their valuable equipment). Calling it a nazi policy is quite rude and it is disturbing that you feel this way.
Besides, if Aunt Jane really came to see you dance, then she should be watching you dance...not sticking an iphone with a tiny screen in front of her face for the entire performance.
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Re: Is this extremeism
Wed, April 29, 2009 - 4:39 AMOkay - I'll be the loan voice of dissension here (but only on one particular point)
It pisses me off when I am not allowed to have MY OWN performance video taped with MY OWN video camera. It sucks to have to shell out $35 + (usually) and wait (sometimes upwards of 6 months) to get to critique my own performance. I can't tell you how many times by the time I got the DVD I was no longer interested in seeing my work. When I've expressed that to some event producers, I've been told 'Oh, I'll send you the footage of just you' I can count on no hands how many times that actually came to pass.
Case in point, my troupe has back-to-back weekend performances of the same piece. We were lucky enough to be able to shoot the first performance so we got real time feedback and were able to tweak the performance for the up-coming one on Saturday.
I have a solution, but it would probably be a pain in the arse to arrange - it would be a 'shooting area' where a dancer could have her own camera set up. Dancer designates a person to go turn on & off the camera and as soon as the performance is over the camera gets packed up. Not every dancer would take advantage of that, but it is at least a stab at a compromise. -
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Re: Is this extremeism
Wed, April 29, 2009 - 5:19 AMI agree, that really is a pain, but I think that has more to do with the organizers priorities & competence. I have had the priviledge of working with some very good videographers with quick turn around as well as with the 'someday' folks. I do think organizers need to clue into this resource for their performers- the needs of performers are different than the desires of the gen pub for video, & there is no reason you can't cater to both. When I found out a local video was being held up because the producer was having personal issues, I understood, but I still BEGGED for the raw footage. I don't need an edited copy for personal review, & it doesn't take that long to burn rough copy. I wonder if you could go directly to the videographer for an immediate play back? or perhaps the producers of the show could actually set up a viewing area for dancers to review just recorded footage- maybe backstage so it doesn't distract the gen pub. that would really be the ultimate imho.
Definitely things to be explored, but I do NOT think that issue warrants opening rights to video to the general public.
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Re: Is this extremeism
Wed, April 29, 2009 - 8:45 AMAlthough I see your point regarding your desire to bring your own camera/videographer, I can understand why organizers don't allow it. What's to prevent someone from claiming they are Hildegard Hamhocker's personal videographer, and then tape bunches of other people without permission as well? Organizers are usually so buried with keeping everything running smoothly that they just can't police this too.
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Photographer's corral...
Sun, May 10, 2009 - 8:24 AMWe tried to try the 'shooting area' concept twice but simply didn't have the volunteers to control it. Rather than be responsible for people's cameras, we were going to try to swap photographers in and out... but again, it would have required a dedicated person and we didn't have it.
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Re: Is this extremeism
Wed, April 29, 2009 - 5:45 AMI am totally cool with this. I think that dancers have a right to privacy. I think that event sponsors have a right to protect their income stream by making the video available only through them. I think that people who aren't aware of these things and don't consider that before posting videos of other people should be told so that they can make an informed decision. I am not saying that someone should be the video police. I am just suggesting that people should respect the privacy and copyright rights of others.
Taaj
www.taaj.org -
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Re: Is this extremeism
Wed, April 29, 2009 - 5:54 AM"I am just suggesting that people should respect the privacy and copyright rights of others."
not to mention giving credit for all the hard work it actually takes to produce a show of any size... why do we resent people who give us quality services trying to make a living?
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Re: Is this extremeism
Wed, April 29, 2009 - 7:06 AM>I think that event sponsors have a right to protect their income stream by making the video available only through them.
Ahhhhh...there it is - the real issue. Oft times, local dancers not only have to do the 'pay to play' shuffle - you know...take the workshop to get a spot in the show or an out-and-out: buy a ticket to be in the show. So not only are dancers (not the headliner, mind you - who is usually getting paid to perform) having to pay to dance but then get the privilege of having to PAY to see their performance. Nice. So sponsors get to hog-tie us to protect a revenue stream that there isn't necessarily a market for and we get to be happy about it?
Lets not even get into the fact that the artists performing don't have the ability to prevent a poor performance from inclusion before the DVD goes out for public consumption. Yet you can bet the headliner will likely be extended that courtesy.
I think each dancer should have the raw footage made available them - on a functional level, edited footage is worthless to me - it is however, perfect for showing family and friends and possible inclusion in promo materials. But it does little to provide me real-time feedback. If a sponsor is going to stick with the 'NO VIDEO' rule then how 'bout this: most video camera's now come with SD card capability, so there is no reason why a sponsor couldn't set up a 'raw' camera then plug the card into a laptop backstage and directly copy a dancers footage onto a dancer-provided USB drive for a nominal fee (which I'd be happy to pay)
I'm not advocating that everyone should be out video'ing everyone else's performances without permission. But I sure as hell deserve the right to preserve my own intellectual property if I want to.
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Re: Is this extremeism
Wed, April 29, 2009 - 7:38 AM"Ahhhhh...there it is - the real issue. Oft times, local dancers not only have to do the 'pay to play' shuffle - you know...take the workshop to get a spot in the show or an out-and-out: buy a ticket to be in the show. So not only are dancers (not the headliner, mind you - who is usually getting paid to perform) having to pay to dance but then get the privilege of having to PAY to see their performance. Nice. So sponsors get to hog-tie us to protect a revenue stream that there isn't necessarily a market for and we get to be happy about it? "
I think this is a whole separate (tho connected) issue, & I hate the pay to play concept BUT- the videographer does need to be paid- $35 from every performer seems overkill if it is rough copy destined only to be viewed by the performer, but quality footage with permission to use for promotional use, that's a bargain. If you intend to use if for promotional use, you had darn well better get that in writing! I see the same problems with sharing with family. no different than not making copies of professional photographs since that is where photographers actually make money (not from those sitting fees!) if you are going to pass the video around, I do think you should buy the darn thing. A publicly distributable DVD involves a lot more than fancy packaging!
I really appreciate that our local venues provide performance video for $10- the local scene is not set up to do public distribution & only makes video available to performers since they don't want to deal with pursuing the music rights etc. involved in selling DVDs. This fee essentially JUST pays for the videographer's services- no one is making money off the music since the performer presumably has a legal copy of the music already. I presume a $35 DVD of the full show intended for public distribution would involve editing, licensing, packaging, promotion, etc. and is *worth the price* to see quality video.
If you are concerned about a poor performance being included, there is no harm in asking the event organizer before hand to agree to pre-approval. no idea what the response would be, but why not ask? Probably overlooked, but if they are using your image, they really should have some kind of model release anyway & this stipulation could certainly be brought up at that point (I know this doesn't happen at our local events, but I do it for my studio to get permission to use recital photos for future promotional use)
& if you want a free copy of your intellectual property, sorry, but go video it yourself at home. your choreography/presentation is your property, venue & videography is not. video & photography rights legally belong to the person who shot the footage, not the subject of the photo/video.
I do like the backstage real time feed back concept tho, as long as recording fees are picked up somewhere & sponsors can afford to do so. Videographers are not free- they need to make a living just like anyone else. -
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Re: Is this extremeism
Wed, April 29, 2009 - 8:10 AMI wish I could confirm that the $35 per DVD included procuring music rights, but most likely it did not. $35 is a standard price in my area for show DVD's (read: my boyfriend videotaped the show with his home video camera and burned the whole thing to a DVD with no chaptering). And generally it's not a quality I'd be willing to put out on my website.
As an event sponsor myself, I've seen this from both angles - it's simply awful to forbid dancers from having 1 personal camera to record 1 performance (their own) from a central location (that can be monitored) and then have the videographer screw you by not turning the footage around in a timely fashion (yes, I have waited a year or more for home-video quality DVD's) - having dealt with that situation from a number of shows I was a participant in (but not sponsor of), I finally gave up and started toting around my own camera.
Here's a similar situation - I was performing at an event that forbade video-taping AND photography (not just flash, but ALL photography) because they had an 'official photographer' whom you could purchase images from through the sponsor the week after the event. Sounds great, right? Well guess what, the photographer split during the intermission and didn't come back. WTF?!
What a lovely catch-22. There has got to be a middle ground on this folks. I've already offered up 2 different compromises. -
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Re: Is this extremeism
Wed, April 29, 2009 - 8:16 AMI think that's a great idea Jennifer, to have a separate monitered area for dancers to have their own performance recorded.
I wonder how much that would affect dvd sales of the show tho? -
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Re: Is this extremeism
Wed, April 29, 2009 - 8:44 AMIf I could check out my own performance at the show, I'd be MORE likely to drop $35 (or more) on a professionally recorded and edited version of it.
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Re: Is this extremeism
Wed, April 29, 2009 - 8:53 AMI agree, Jennifer- that really sucks. But I maintain that that is due to a poorly produced show rather than any fault with the general policy- just like there are certain venues I will not perform in again for other aspects of production, sponsors need to be more aware of what professionalism really means & it drives me crazy to hear this kind of thing is happening (even tho I know it happens all the time)
I think education is needed rather than compromise. -
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Re: Is this extremeism
Wed, April 29, 2009 - 9:25 AM>I think education is needed rather than compromise.
I beg to differ. I think it's high time we reviewed our 'business as usual' attitudes and started meeting the needs of both sponsors and performers especially in regards to the technology that is now available. -
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Re: Is this extremeism
Wed, April 29, 2009 - 9:55 AMI have to agree with Jennifer Rose.... especially after having to pay $40 for a video that was crap! My cell phone could have done better! Then there is the fact that I don't like getting a tape that has my dance edited. Just where I wanted to see my footwork, they zoomed in on my torso. We should be able to have ONE videographer of our own in a designated area. When our dance is over, our videographer leaves for the next person's to be there. I would still buy the video of the whole show, because I will want to see the other lovelies again, besides, I usually miss the one before me and the one after me. As far as the producer having to monitor this, assign someone to monitor this. It can be a group member who is not dancing or a friend or relative. Or pay someone minimum wage. If they are paying someone to kick people out, how is that hard? And I agree with the "wait...... I have to pay for my lessons, pay for my costume, pay to get in.... you are making money off of me, and I can't have my own video of my own performance??????" I am pretty sure I won't be the next Rachel Brice, but I'd like to get a decent video of one of my real-time performances, and the best videographer I know is NOT the guy shooting for the show! That job goes to the best videographer that the promoter knows (half the time that's his nephew)!
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Re: Is this extremeism
Wed, April 29, 2009 - 10:01 AMIf business as usual means what you just described, that is not what I am suggesting. I don't expect anyone to play doormat! I am suggesting that we need to educate sponsors on what is & is not acceptable professional behavior. Sometimes that means being willing to step in to fill the gap.
For instance, if there is a particular sponsor you work with a lot, tell them flat out that you are not happy with the current situation, *&* offer to help fix it- for example- "I have been frustrated with the video situation for the last couple performances. (insert reason for frustration if necessary) I think it would benefit the show and the performers to have a more reasonable approach. I have worked with Mr. X who can deliver quality services for a reasonable fee. He is willing to (fill in your dream criteria here) for around $X and is willing to deal directly with the dancers. Would you like me to have him contact you with contract information?" & follow up.
This lets the producer know 1) that you are unhappy, 2) that you have specific expectations, and 3) that you are willing to help them fulfill your expectations, to the benefit of all concerned. This will not always work, but I still think trying to work from within the structure is better in the long run.
Note- If sponsors are willing to let you video on your own anyway, (which sounds like your specific situation) this is not even an issue. -
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Re: Is this extremeism
Wed, April 29, 2009 - 10:33 AMThese are good suggestions Lara. As a producer I did have similar photography/video guidelines set in place at each one of my shows. There were several reasons for this including, protecting the performers from people who not only take tons of pictures, but pictures that were just not good and then broadcasting them all over their websites/internet without said performers knowledge or agreement. This happened with several high profile performers that I had at my shows. Another reason I personally had this policy is that I hired a professional photographer/videographer to capture these performances, which I then gifted to the performers at no charge. Granted, this was a small night club venue as opposed to a large festival type atmosphere. I wanted the performers to feel safe, to feel that their art was being respected, and to show them my appreciation. I can't say that after I made the switch to using strictly a pro photographer I ever had any more complaints. Obviously I didn't kick anyone out (aunties included) if they wanted to take pics or videos of their friends, but this was discussed ahead of time with the audience, and for the most part, people understood and respected the performers wishes.
Desiree asked "And has anyone ever REALLY had issues with their performance being 'stolen' and placed on youtube ?
Yes - I have, several times. It's an insult to me and my dance if you do this without even telling me. The times that I've "found" myself on youtube and peoples websites I asked them to remove the performance. I would say that each time I was met with the attitude of "Oh this is a GOOD thing for you and you don't want it" Like they were doing me a favor. I don't consider taping a performance and posting it on the internet without my knowledge or consent any kind of favor, I consider it stealing. I know I am in the minority with these thoughts and guidelines, but in my opinion, like many others have stated, you would not even consider whipping out your phone or whatever at a Ballet event , so why can't we as Bellydancers get the same consideration?
I don't think their policies are extreme or "nazi" like in any way. I appreciate them as a performer who not only respects her art and self, but as someone who wants to see this artform elevated and treated with respect. This won't happen if every tom, dick and larry are out there taking tons of bad pics and blasting them all over the internet with tags like "hot bellydancers" and the like, which I know we've all seen. I would love to see a happy medium, based on mutual respect and admiration, not a sense of photographers entitlement. -
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This is the maximum depth. Additional responses will not be threaded.
Re: Is this extremeism
Wed, April 29, 2009 - 10:34 AMSorry - I meant to say I CAN say that there were no more complaints from performers after I hired the pro photographer. -
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Re: Is this extremeism
Wed, April 29, 2009 - 10:56 AMI don't think the complaint most dancers have is about kicking out people recording the whole show. I think the complaint is that we can't get a video of ourselves taken by someone we know. I don't want everyone stealing my image and plastering it on youtube, especially if it looks terrible... I agree with all of that. but we should be able to designate 1 person to tape our own performance.
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Re: Is this extremeism
Wed, April 29, 2009 - 9:43 AM>if you want a free copy of your intellectual property, sorry, but go video it yourself at home.
As I know you're aware, this form of dance is inherently improvisational in nature and there is a synergy that happens between the crowd and performer which cannot be reproduced outside of that moment. I have an ethical problem with not allowing the performer to record that moment with their own equipment if that is their desire.
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Re: Is this extremeism
Wed, April 29, 2009 - 10:52 AMSome folks here have mentioned the idea of protecting the professional photographers/videographers from competition by family members. While I don't claim to speak for everyone, I can say definitively that as a professional photographer I have absolutely no issue with other people shooting the same show, amateur or professional. I have confidence that my product will be significantly unique enough to have value on its own merits and doesn't require the protection of a monopoly. If it doesn't, what's the point of me shooting and forcing my unwanted product on others? In fact, when I produce my own events (which I always try to shoot as well, thanks to my unbelievably strong show staff) I always invite the other professional photographers I know to also come shoot as well. It just gives more value to the performers and promotion to the event.
I understand that some performers may not want to be photographed and have respectfully put my camera down (which is actually a nice respite during a long event) whenever that is announced, but others have mentioned the performers' right to privacy. Essentially, once you willingly decide to perform on a stage in a public setting, you have no right to privacy. You have limited rights to controlling your image (such as in the case of implied endorsement or fictional representation) but no right to privacy. -
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Re: Is this extremeism
Fri, May 8, 2009 - 9:10 PM"Essentially, once you willingly decide to perform on a stage in a public setting, you have no right to privacy. You have limited rights to controlling your image (such as in the case of implied endorsement or fictional representation) but no right to privacy"
EXACTLY!!!! -
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Re: Is this extremeism
Sat, May 9, 2009 - 6:12 AMI too do like the idea of designated areas although am not adverse in any manner to paying for a video by a professional. Having worked a major festival, in some capacity, for the last 4 years I believe the larger issue is monitoring. Having 10 acts perform and setting up an area is one thing but when a festival runs 3 days and features more than 60 performers it can be extremely difficult for a small crew who already have quite a few responsibilites to ensure only those who should be videotaling, do so. It truly is not a matter of money rather protecting and respecting those who work so very hard to present their talents to the best of the show's ability. The top dancers who come and perform are the most harassed, one who was literally followed thru backstage corridors with a camera. In an ideal world everyone would respect everyone else and only friends and family would videotape with good intention. More often then not, this is not the case. An instance last weekend (from my understanding) revealed a member of a troupe attempting to videotape her former professional teacher where the troupe was dissatisfied with their involvement but apparently still wished to learn for free. If the larger shows wish to continue to showcase professional dancers, rules must be set in place and followed to the best of their ability..and...keep in mind, many of these rules were created and requested by the dancers NOT the shows' promoters. -
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Even with a small event it is difficult...
Sun, May 10, 2009 - 8:31 AMEven with our one-evening events we found it impossible to implement a 'camera corral' although we didn't try the colored-paper flag, which would allow an organizer to monitor at a distance... maybe we'll try that idea...
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Re: Is this extremeism
Wed, April 29, 2009 - 11:36 AMMay I offer what we do at Wiggles of the West Belly Dance Competition as far as videos. We have done it over the last few years and it has worked very well.
We shoot a video for our archive, so we get to see the competition at some point in time. We also have a record, if there is a dispute of some kind. There is nothing like being able to show someone that something did not happen as they 'remembered' it. Thankfully this almost never happens. We NO LONGER sell these tapes.
Each dancer or troupe is allowed to assign ONE person to video tape their performance. The dancers have to sign a form, the form is then presented to the video monitor (who is doing our archive video). It is usually on some brightly colored paper so we can see it from across the room. The person tapes from our taping area only. They are allowed to tape only that performance. The dancer gets real time video and we do not have to make a bunch of copies.
People doing unauthorized video with cameras or phones can be asked to leave ... and will be. And since we are in a casino, we can even ask security to escort the offender of property, if they try to cause a scene. Let me add, we have NEVER had to do that.
This year we are going to not allow flash photography either. We do have an authorized photographer who will be taking photographs which you can purchased from the official photographer. -
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Re: Is this extremeism
Wed, April 29, 2009 - 11:42 AMNow, see, that is reasonable! Yay, Wiggles!!! -
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Re: Is this extremeism
Wed, April 29, 2009 - 12:09 PMThat is a great way to handle it Janie. I like it a lot! -
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Re: Is this extremeism
Wed, April 29, 2009 - 1:11 PMYay Janie! good to hear a report of this in action. -
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Re: Is this extremeism
Wed, April 29, 2009 - 5:11 PMI don't think it's extremism, but I am happy to see ideas about alternatives being thrown about. I drives me NUTS when a video is filmed or photos taken and offered, but never seems to come into fruition.
Personally- I LIKE to have professional photos/video available from a show and I'm happy to pay for them.
The professional class that I'm in has a couple shows a year where our teacher Yasmin video tapes. We hold video critique the following week (and we drink wine to help us through!). I also sometimes will pay someone to video tape a whole show to get a useful critique.
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Re: Is this extremeism
Thu, April 30, 2009 - 1:46 PMThis is a really good idea.
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Re: Is this extremeism
Thu, April 30, 2009 - 1:57 PMI see everyone's point...it sucks paying through the nose for bad/incomplete footage. It also sucks when unprofessional photographers/videographers interfere with the Official Videotape. I have heard videographers complain about the flash of cameras and the glow of cell phone/cam screens unbalancing the light values of their footage.
As an audience member, I am sometimes distracted and annoyed when the person in front of me holds up a bright/loud cam. Some people take video discreetly with respect to those around them, but others don't, and are disruptive.
While watching the US presidential inauguration, a good portion of the dignitaries on/near the podium were using cellphones and cameras as President Obama was being sworn in. Holy crap, didn't they know that it was being recorded for posterity at a much better angle than any of them could get? It was ridiculous to see. Not everything needs to be recorded on a personal device. Sit down and *watch*, already! -
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Re: Is this extremeism
Thu, April 30, 2009 - 6:21 PM"Holy crap, didn't they know that it was being recorded for posterity at a much better angle than any of them could get? It was ridiculous to see. Not everything needs to be recorded on a personal device. Sit down and *watch*, already!"
YES!!!!!!!
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Re: Is this extremeism
Thu, April 30, 2009 - 8:35 PMThis is a tough subject - I sponsor an event here in Colorado 4 times a year.
I can only speak for myself - and am not trying to make money off of photos or video. I do set up my camera at the sound booth which has the best angle for the WHOLE stage (no foot or torso shots - just the whole stage and whatever happens on it). I hit record and let it roll -- I offer it to the performers ONLY for my cost and time - a huge $5. My goal is to give each performer a record of the show for their own personal use and keep it cheap as the video is not perfect -- the stage lights often wash out people who wear white and it is not a nice camera. I do not care if a troupe/performer has someone video them but they are only allowed to video those who they have formally asked if it is okay. They are not allowed to video the whole performance.
I think that is not good to record a performance of someone if you have not made sure it is okay ... gotten their permission. I recently went to a small event where my student performance troupe performed two of my choreographies and some girls did solos. I found that all posted on youtube later.....none of the girls knew they were recorded and the person did not even take the time to credit the girls dancing with a troupe name it was "performer 1, performer 2....". I mean really at least ask for a name and say "Hey i am going to post you on youtube". I commented on her posting with their name and my contact info hoping she will get the point being made.
I do have a professional photographer and do ask that others are not taking photos for a couple of reasons. His set up is not bright flashes so it is not so distracting. He is also discrete so he is not standing in others way of seeing. He offers them at a super cheap price for prophotos with the idea that a few will buy. I have seen many come in and snap shots of a bunch of people and then post them...I do not think they mean any harm but really should contact the group before posting to make sure it okay. Also....we announce it but people still snap photography. I am not militant but would just ask them nicely to not do that......per the announcement ...although I usually am busy and have no idea until I am on the stage and see flashes.
It is true that many pro video/photographers will ask to be the only one filming/shooting so that they make their money. If the sponsor will not do that then they may ask the sponsor to put down 200-300 out of pocket to assure they get paid. So some may actually ask that so that there is a nice recording of the event ---- and not break their bank. I do struggle with paying more than $20 for my video at shows unless I know it is really quality lighting and such. I have paid $25 or 30 and then --- exactly what some have listed here -- foot shot or my face while I am doing a beautiful backbend (uhhhhh yeah). My personal goal is to offer something cheap so that those that do not have a camera can also get a copy.....but I only limit due to permission from dancers (only shoot yourself) and to help the photographer keep his rates cheap. I know my shows are not as formal so really I am not that formal.....but it would be nice for family and friends to understand that really they should only be photographing and videoing the people they have permission to....or at least ask before posting.
It did bother me to see this girl post my girls dancing -- and not even take the time to credit them with their names...........she enjoyed them but did not feel it was important to say who they are....really.
So I understand both sides I guess....I would not kick anyone out though unless I asked someone to stop and they would not......but I doubt that would happen. -
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Re: Is this extremeism
Thu, April 30, 2009 - 8:36 PMSorry...still babbling...
I will say that I have been extremely disappointed at events that would not allow video bc they are doing it .... and then they never provide it or it is really messed up......
I will be quiet now...hahaha....
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Re: Is this extremeism
Fri, May 8, 2009 - 9:03 PMI don't know much regarding the legal issues of it all.
I have been to very few shows where the $35 you pay is for the whole show. That $35.00 is for all 5-10 minutes of JUST YOUR performance. That kind of sucks after you have spent all that money on travel, food, etc....
That's really minor compared to my other concern though. So, the LONE videographer (sp?) is the only person allowed to record your performance. What if he messes it up? I have witnessed this first hand. My instructor was performing and the videographer was actually so into it, he forgot to track her with the camera. There was actually a period where she was just COMPLETELY OFF SCREEN. (Now this guy was actually really cool and gave her a copy of her DVD for free, but not everyone are such ethical business people).
So what then?!?!? The videographer screws up and your performance is just LOST FOREVER because no one else is allowed to record it.?!??! That's what would upset me the most.
I agree with the idea of having an area designated personal recording. My rough idea is this: Prior to performing during dancer check in, the dancer could list a person to record their performance. Then there could be a list kept at the area and the person recording can check in with an ID to record that dancer's performance. (This will hopefully keep it honest as far as recording other people's performances goes). -
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Re: Is this extremeism
Sun, May 10, 2009 - 9:59 AMI've had the same problem with a video of a workshop I'd been to. I had to pay for a video of the performance, though it was $10, so nothing huge. However, it was just my own performance. None of the other acts were included. Then there was a message put out later, after everyone had a chance to review their individual videos asking who would like to be included in the DVD of the entire show, which was an additional cost to what we'd already paid. I think it was $35 for all of the acts that wished to be included. It was only available to the performers, but still, I felt like someone was trying to suck every penny out of me they could! I was not allowed to have my own videographer. I had to pay $10 to receive a video of just myself, that could be included in a video with everyone else, which would be available for an additional charge. While I liked the ability to pre-approve the footage (which I decided I didn't want in full DVD because I looked as tired as I felt that night...), I didn't like the idea of having to shell out a grand total of over $40 in DVD for one workshop, especially after spending nearly $100 for the workshop itself, never mind the gas to drive three hours away to attend and food while I was there. I think I would have preferred to get the raw footage of my actual performance for cost, and then get a discount on the full video given that I've effectively just paid to be in it! They didn't do a video of anyone who didn't pay to receive the individual DVD (as far as I'm aware), so I think it's only fair that if I paid to be in it and it's offered to all the performers, any amount paid to be a part of the video should be taken out of the total cost of the first DVD I buy if I buy multiple.
The other issue I have is being a part of belly dance shows, either for free or because I'm participating in the associated workshop, then being disappointed in the quality of the video I paid for since I was not allowed to have someone take one for me. The videographer was sitting practically right on top of the performers and hardly ever bothered to adjust the camera to get a good view of the dancer. Our troupe performance was mostly bellies, with a LOT of time focused on one girl in the troupe, even when she had dropped back as chorus while three people in the troupe were doing their own piece. It was really frustrating to watch because I wanted to be able to critique my troupe's performance so we could see what we could do better next time. This was our first big performance, yet we couldn't actually see most of the performance. Yes, the video was only $10 for the whole show, which isn't bad at all, but I would have much preferred to have my own videographer stand in the back of the room and get a decent quality video of the same performance. It just seems unreasonable to require no one takes a video of the event except for the ones you can buy from the videographer, only to come away with a poor quality product that I wouldn't have paid for had I known before hand.
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How does it feel....
Sun, May 10, 2009 - 8:38 AMLegalities aside, how does your gut feel when you see the following comment under a You-Tube of you and/or your troupe performing an original choreography:
'Love the costumes, love the choreography, does anyone know the name of this song?'
Assuming that you are in the Biz of Belly Dance tribe because you are in the BUSINESS of belly dance... what does this comment indicate that the poster is thinking of doing? -
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Re: How does it feel....
Sun, May 10, 2009 - 9:54 AM"Legalities aside, how does your gut feel when you see the following comment under a You-Tube of you and/or your troupe performing an original choreography:
'Love the costumes, love the choreography, does anyone know the name of this song?'
Assuming that you are in the Biz of Belly Dance tribe because you are in the BUSINESS of belly dance... what does this comment indicate that the poster is thinking of doing?"
Hmmm...I think this may be a topic for another thread Maura.
Quick first response though.
I'd assume nothing nefarious. I'd figure they felt the need to pay a compliment or two before asking for information and they really liked the song. I would not assume they wanted to steal the choreography...unless it was a known poster AND had been known to copy others' choreography before. -
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This thread is good...
Sun, May 10, 2009 - 4:54 PMMy posting is a response to the question: ' And has anyone ever REALLY had issues with their performance being 'stolen' and placed on youtube ? '
We followed up with a couple of the folks who posted similar remarks to YouTubes that were taken by folks we did not know and the posters actually intended to reproduce the dance, didn't see anything wrong with that until we asked nicely that they not do it... at which point they agreed not to. I agree that not everyone has a malicious intention... even the folks who 'just' want to imitate it because they like it... but yes, we REALLY have had issues. -
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Re: This thread is good...
Mon, May 11, 2009 - 4:02 AM>I agree that not everyone has a malicious intention... even the folks who 'just' want to imitate it because they like it... but yes, we REALLY have had issues.
To follow this to it's logical conclusion, I'm going to assume I'll never be seeing your troupe on a national televised program (something like: America's Got Talent / So You Think You Can Dance / Superstars of Dance)? Or even on a local public access cable channel?
If someone REALLY wants to steal your choreography & ideas, they'll probably pay for a DVD from a show they saw you at. I mean, why settle for home video quality when you can get a nice professional copy to pilfer moves from?
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Re: How does it feel....
Sun, May 10, 2009 - 10:05 AMI've been known to do that before, perhaps not in a comment, but in my mind. "Wow, those costumes are incredible! That choreography was so incredibly inspiring! And I love the song! I wish they'd left the name of it..."
Why do I want the name of the song? Many reasons. First, if I like the song, I might want to buy it for myself. Or maybe I'll check out the artist that wrote it. Who knows? Maybe I'll buy every album the artist has ever put out because I've just been turned on to my new favorite artist! Sometimes it's because I love the song and seeing what they've done with it inspires me to do my own choreography. Maybe I'm watching their choreography thinking, "Hmm...I could do a really nice double veil piece to that song" because I'm inspired by some move they do. It's not always with nefarious intent. Personally, I prefer improv to choreography, so I'm not likely to choreograph to their song, never mind steal their choreography, but that's just me.
Unfortunately, it's all too easy to assume the worst intentions when your in a world where stealing choreographies happens all the time. However, I promise, not everyone has mal intent! -
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all of the above...
Sun, May 10, 2009 - 6:08 PM.. I believe you are correct in that improv is probably less liable to imitation since the quality of the soloist is so essential. But choreographies for troupes and for jazzy props seem, in my opinion, susceptible. And troupe choreographies and props are an important part of OUR business. There's nothing to be done about it, other than what we've done, which is try to follow up with people and see what their intention is.
An upside of the constant possibility of pix and videos being uploaded to internet by spectators is that 'the girls' have learned that there's never an off day. All performances need to be as perfect as possible. But that's a heavy burden. I suppose when everyone has 27 unflattering videos of themselves posted on the Internet then that will become the new norm, and it won't matter any more.... speculation....
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Re: Is this extremeism
Sun, May 10, 2009 - 5:07 PMI know I've responded probably too much recently, but I just had to throw this in there- went to a recent concert & it annoyed the bajeebers out of me having the folks in front of me snapping photos. There was a no flash photography policy, but photography in general was allowed. I am already dealing with being short- would ya just let me watch the darn show? just about ruined an otherwise lovely evening.
The dance studio where my kids take lessons allow photography during dress rehearsal but not during the show. I think this is a great compromise if it is an option (I know a lot of BD shows don't have a dress rehearsal...) -
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Re: Is this extremeism
Sun, May 10, 2009 - 5:59 PMYou know, I had the same problem at a recent concert. We were down on the floor and all I could see in front of me is arms holding cameras and cell phones up that were so bright it was distracting. People were recording the event and taking pictures. I don't want belly dance to turn into that kind of an event... -
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Hey, I'm from the press!
Sun, May 10, 2009 - 6:11 PMWe actually had someone run out on the stage and take pictures of several different troupes one year... it turned out they had asked him to do that... but once was enough. Never again. Maybe the troupes got great pix, but the audience didn't pay money to watch a photographer insert himself into the performance.
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Re: Is this extremeism
Sun, May 10, 2009 - 6:56 PMI know that recently I pissed off a dancer hosting a hafla by video taping myself. Let me say that when I signed up that they did not let me know that this was their policy.
But afterwards I decided that if that is their policy I just won't dance at their events. I use to live in the city where I performed all the time so I was not inclined to take video of myself dancing. I also was a paid professional.
Now I live in a small town where there are no venues for a profesional dancer. So I drive a hour to the nearest populated area to dance at a hafla occasionally. For me the reward besides having somewhere to perform, is to be able to have video to critique myself and to share with friends.
And when in the city I danced at resturants & I got filmed. It did not bother me. I think that if my dance is not good enough to be posted somewhere then maybe I should not be a professional dancer.
Granted I am not a big name dancer. Where people are willilng to pay for a DVD to see me dance.
I can't even make money off my own image I doubt someone else will.
I have danced at events where there was no video taping, and I did not mind. Because these were big events or competitions and helped get my name out there.
So having once been in the city and now living in a rural area.
I can say this policy I feel would depend on the area you live in & the event you are dancing in. And you don't have to dance at these event if you don't agree with the policy.
And yea I have asked for names of songs. Because I like the song and would like to purchase it. Or because I have the song but the Cd is written in Arabic and I cant read what the name is.